Mito, Storia & Sogno di Farinelli .2
PISTOIA / ROMA / BOLOGNA / TRIESTE
febbraio - novembre
Mito, Storia & Sogno di Farinelli
- -
Musicaimmagine & Centro Studi Farinelli
in collaborazione con :
Associazione Clavicembalistica Bolognese
Cappella Musicale di San Petronio
Complesso monumentale di S. Maria della Vita
Festival Wunderkammer di Trieste
Fondazione Pistoiese ProMusica
Institutum Romanum Finlandiae
La via dell’Anima / Chiesa e Pontificio Istituto di dell’Anima
L’Orecchio di Giano: Dialoghi della Antica et Moderna Musica
Museo della Musica di Bologna
Museo di San Colombano, Bologna
Reale Collegio di Spagna
Villa-museo Molinari Pradelli
sabato 23 febbraio, ore
PISTOIA, Fondazione ProMusica (Saloncino della musica di Palazzo de’ Rossi)
CONCERTO "La viola Scarlatta & altre storie d’amore"
Ensemble Seicentonovecento, dir. al cembalo Flavio Colusso
Maria Chiara Chizzoni, soprano | Valerio Losito, viola d’amore
musiche di: Giuseppe Aldrovandini, Carlo Broschi Farinelli, F. Colusso, Anonimo XVIII sec.
venerdì 24 maggio
ROMA,&nbs
Popular Tracks
Kitrinoon Ta Mistika Tou Kipouby Nikos KypourgosI Balada Ton Skoupidionon Ta Mistika Tou Kipouby Nikos Kypourgos
El Sampedrino/ Canción Pampeanaon Canciones al Arbol del Olvidoby Aris Christofellis & Giorgos Mouloudakis
Canción al Árbol del Olvidoon Canciones al Arbol del Olvidoby Aris Christofellis & Giorgos Mouloudakis
Ottone in Villa, RV , Act I: Quanto di donna amanteon Vivaldi: Ottone in Villa, RV by Antonio Vivaldi, Patrizia Pace, Anna Maria Ferrante, Aris Christofellis, Jean Nirouet, Luigi Petroni, Ensemble Seicentonovecento & Flavio Colusso
O Aftokratoras Tragoudaei Mazi Me To Aidonion To Aidoni Tou Aftokratoraby Various Artists
Ottone in Villa, RV , Act I: Gelosiaon Vivaldi: Ottone in Villa, RV by Antonio Vivaldi, Patrizia Pace, Anna Maria Ferrante, Aris Christofellis, Jean Nirouet, Luigi Petroni, Ensemble Seicentonovecento & Flavio Colusso
Ottone in Villa, RV , Act I: Caio Cleonilla qui sola?on Vivaldi: Ottone in Villa, RV by Antonio Vivaldi, Patrizia Pace, Anna Maria Ferrante, Aris Christofellis, Jean Nirouet, Luigi Petroni, Ensemble Seicentonovecento & Flavio Colusso
Ottone in Villa, RV , Act II: Eco Crudelon
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Aris Christofellis (Greek: Άρης Χριστοφέλλης) is a sopranist (male soprano) who was born in Athens on 5 February
Life and career
Aris Christofellis was born in Athens in After studying piano in Athens and Paris with several teachers including the famous pianist Francis Clidat, he decided to concentrate on developing his unique singing voice of male soprano, studying with Fofi Sarandopoulo. He made his debut in Bordeaux in In he sang Wolfgang Amadeus Mozart's "Exultate, jubilate" at Cannes Midem Classique inauguration concert, where he was received enthusiastically by both the public and the critics.[1]
His repertoire extends from Renaissance to contemporary music, but he focuses on the Italian baroque opera of the 18th and early 19th century. Aris Christofellis' vocal technique and taste for historically informed ornaments have been highly acclaimed across the world and as a musicologist, he has brought to light many works of this period and has dealt in particular with the ornamentation of the vocal music of the 18th and 19th centuries. In addition to lieder and folk songs, he concentrates mainly on Baroque opera and is known for singing roles written for c
Aris Christofellis was born in Athens and studied music (piano and singing) in Athens and Paris. He was the first countertenor of the modern era to revisit and give prominence to the soprano repertoire of the 18th-century castrati – until that time, countertenors had concentrated only on the alto repertoire. He gave his first concert performance at Mai Musical de Bordeaux in , and has since appeared internationally in numerous concerts and operas (Théâtre du Châtelet Paris, Festival de Radio France et Montpellier, Alte Oper Frankfurt, Théâtre des Champs Elysées Paris, Theater an der Wien, Teatro Mercadante di Napoli, Teatro Arriaga Bilbao, Festival di Martina Franca, Festival Barocco del Teatro dell’Opera di Roma, Wiener Konzerthaus, the Odeon of Herodes Atticus, and elsewhere).
His repertoire ranges from Renaissance music to contemporary works, with a particular focus on Italian Baroque Opera of the eighteenth century. As a musicologist, he has brought many pieces of this period to light and is a specialist on 18th and 19th-century vocal music ornamentation.
Christofellis has recorded for EMI Classics – L’âge d’or des castrats, Farinelli et son temps, Airs de vir
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