Siah Siavash Armajani Edit Profile
architectsculptor
Sia (Siavash) Armajani is an Iranian-born American sculptor and architect of public art. He is one of the leading representatives of Public Art, which arises in the early seventies as a final attempt to overcome the utopias of the interwar avant-garde on the integration of Art and Design.
Background
Siavash Armajani was born in in Tehran. In , Armajani immigrated to the United States to attend college, as he had family living there.
Education
The artist’s education in Western thought and philosophy began in Tehran, where he attended a Presbyterian school for Iranian students and continued through his undergraduate years in the United States. Siah Armajani attended Macalester College in Minnesota, where he studied philosophy.
Career
Siah Armajani lives and works in Minneapolis. His sculptures, drawings and public works exist between the boundaries of art and architecture, informed by democratic and populist ideals. Early theoretical interests continue to influence his work, taking form in objects and architectural spaces designed in homage to literary, philoso
Siah Armajani (–)
Iranian-American artist Siah Armajani, whose work across media bridged architecture, democracy, mathematics, and the commons, has died of heart failure in Minneapolis. Long underrecognized, the eighty-one-year-old was recently the subject of his first major United States retrospective, “Siah Armajani: Follow This Line,” which opened at the Walker Art Center in and traveled to the Metropolitan Museum of Art’s Met Breuer in New York the following year. “Public sculpture is a search for a cultural history which calls for structural unity between the object and its social and spatial setting,” he wrote in his manifesto. “It should be open, available, useful, and common.”
Armajani was born in Tehran in into a wealthy family of prominent textile merchants. As a child, he worked to spread the ideas of recently-elected Prime Minister Mohammad Mosaddegh by distributing “night letters” that outlined the democratic, secular vision of his party, the National Front; these missives inspired his –64 series of the same name. In , with Iran under the rule of monarchist Shah Mohammad Reza Pahlavi, Armajani tr
Siah Armajani
Siah Armajani () was an Iranian sculptor who worked in the United States for six decades. Forced out of Iran in by the antidemocratic movement, Armajani focused on architecturally scaled sculpture inspired by literary and political themes. His artwork ranged from public sculptural commissions, such as the Olympic torch and the Staten Island tower and bridge, to smaller, more intimate works on paper. Throughout his career, his goal was to link different kinds of structures with their political, philosophical, and ethical implications.
Although much of his early work focused on utopian themes, often linked to the United States, Armajani focused more heavily on Iranian subject matter in recent years. In the Meulensteen Gallery exhibited his large cage-like sculpture Murder in Tehran, dedicated to the memory of a young activist, Neda Agha-Soltan, who was shot during a protest of the reelection of President Mahmoud Ahmadinejad that year.
In Lannan Foundation commissioned Armajani to create The Poetry Garden for the courtyard of its Los Angeles museum. When the Foundation moved to its current location in Santa Fe, The Poetry Garden was dismantled. In Lannan Fo
Siah Armajani (b. , Tehran; died in ,Minneapolis ) moved to the United States from Iran in He attended Macalester College, in Minnesota, where he studied philosophy. His sculptures, drawings and public works exist between the boundaries of art and architecture, informed by democratic and populist ni is recognized as a leading figure in the conceptualization of the role and function of public art, with nearly one hundred projects realized internationally since the s.
The artist’s education in Western thought and philosophy began in Tehran, where he attended a Presbyterian school for Iranian students, and continued through his undergraduate years in the US. Early theoretical interests continue to influence his work, taking form in objects and architectural spaces designed in homage to literary, philosophical and political figures like Martin Heidegger, Ralph Waldo Emerson, Theodor Adorno, Ahmad Shamlou and Alfred Whitehead.
American vernacular architecture has been a consistent visual motif in Armajani’s practice, and is manifest in his public works, including bridges, gardens and outdoor structures. In the artist’s words: ‘I am interested in the nobility of usefulness. My inte
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